Tiger
Army first debuted in San Francisco in 1996. At the time, I
was working on my Ph.D. at UC Davis and had no time for what seemed
a lot like greasy kid stuff to me. It's hard to take seriously some
new psychobilly band when you're trying to trace the homoerotic
tendencies in Milton, let me tell you.
For that reason, and a whole lot of others, I completely missed
out on Tiger Army until I finished with graduate school (and it
finished with me) in 1999, but it took me until 2001 to finally
see the band live.
So here I am at the Galaxy, ready to see if the live performance
lives up to their studio releases, "Tiger Army" and "Tiger Army
II: The Power of Moonlight."
Opening for the band were a trio of utterly forgettable bands.
I really can't get anywhere on time, so we missed the Barnyard Ballers,
I think. Next up were the Dragstrip Demons, but we missed them too.
Unfortunately, we arrived just in time to hear Bettie Rage, who
was terrible. There aren't enough bad things to say about this band,
so I won't try. We fled immediately for the cover of the foyer,
where we could mingle and pretend that there wasn't some dreadful
band playing cover songs on stage. Really, they were awful, and
we weren't the only ones who thought so, judging by the way everyone
just stood around waiting for them to finish.
At 11:00pm the towel boy came on stage and put out nice clean towels
out for the band, which I guess means that they sweat a lot. Hank
Williams "Angel of Death" started playing over the p.a. system,
which proves that psychobilly still owes everything it is and ever
will be to a man who could be the father of goth himself, Hank Sr.
Any band that pays tribute to Hank is a-okay in my book.
Finally
the band took the stage and played a forty-five minute set, which
in no way lived up to the quality of their albums. You can't be
angry that the studio albums are so good, but once you're used to
the quality of the production, and extras like Lars
Frederiksen playing slide guitar (on "In the Orchard"), any
stage performance is bound to fall flat unless the band decides
to light themselves on fire. Which they didn't. Added to that was
the incredibly poor sound quality at the Galaxy, which rendered
all Nick 13's vocals muddy and low no matter where you stood.
Leading off with the Tiger Army Theme, the band played a mix of
tunes from their first album (self-titled) and their newest release
"II: Power of Moonlight, as well as one by the Nekromantix (and
dedicated to them). Set highlights included "Power of Moonlight,"
"Nocturnal," "Valley of Dreams," "Cupid's Victim," (the ultimate
Valentine's Day song?) and FTW (a truly great punk anthem), as well
as Never Die.
The band closed with Never Die, then after a very short break,
came back out again for an encore - encouraged by the audience chanting
"Never Die" and pumping their fists in the air. That's really what
I like to see, as long as it's not choreographed for a video.
Although
I haven't seen Tiger Army before, I can't help but see an obvious
comparison to the Amazing
Crowns. The band has the same youthful intensity, but with slightly
less frenetic energy than the Crowns. Nick 13 evokes the same jock
bravado but without the earnest/political sincerity of AC's Jason
Kendall And yet the kids seem to like this band MORE, if the amount
of fists pumping maniacally in the air is any indication.
Sometimes I can't take Tiger Army seriously because they're not
dirty, desperate punks like the ones I knew living in the Brea Hotel
in 1985. Those boys were dangerous punks, and if they visited graveyards,
it was probably because they really needed a place to sleep. These
boys in Tiger Army have perfect hair, and when they sing about "the
sepulchre of my heart" it's a little hard to believe that it's not
all posturing. Nick 13 folds his bandanna in a perfect three-corner
in his pocket, and the towel boy keeps bringing out clean towels
for the band to use. But the music is raw and desperate and anthemic,
and when they sing "this is what I am" in "Valley of Dreams" they
seem to really believe it. So perhaps we should too.
- Wanda 2/02
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